We had a wonderful Christmassy workshop session with our friend and guest artist, Liz Woodcock today, creating our own versions of a church scene that she had drawn for us. Dressed appropriately in our colourful crimbo jumpers we all set to work with different mediums and, as you can see from the images below, managed to produce a varied selection of artworks before tucking in to a yummy buffet lunch.
With that another successful and joyful year for the group comes to a close and we take this opportunity to wish all our members, friends, and followers a very merry Christmas, and a wonderful and peaceful new year.
Wishing you all a Merry Christmas from all the members of Sutton Art Group
Today we were once again inspired by our friend and tutor, Elaine Nash, this time to work with multi-media and a variety of techniques to capture the colour and feel of Autumn. It was an unusually quiet session while we were all absorbed in the loose work that Elaine suggested. As you can see by the images below, the results were varied and beautiful, and certainly achieved some extraordinarily interesting effects.
After the session we all decamped to the local hostelry for our customary Christmas Lunch. (OK we were a bit late with out Autumn pictures….!)
Following our recent workshop using poured acrylics, David Mowthorpe used the technique to produce this wonderful representation of a poppy to mark Remembrance Sunday.
The Poured Acrylics Workshop by Gail Stafford on 26th October was something to behold – a completely new experience for one and all. A master class with many tips and wrinkles to get the effect you want without outrageous expenditure.
Below are a few examples from the 50 or so produced on the day. Some show some of the stages in the ‘painting’ process. Four techniques were demonstrated – Dirty Pour, Funnel Pour, Chain Pour, and The Peacock Feather, and we chose what we wished to do. The amazement on some faces as these beautiful effects appeared was a picture in itself.
We’ve had some super sessions lately, not least learning a bit about ‘negative painting’ with our guest artist and chum, Elaine Nash. It’s quite a novel concept for many of us, but after some experimentation we ended up with some interesting work.
This week, we were entertained by a talk on ‘Street Art in Malaysia’ given by art group member, David Mowthorpe. David showed us a variety of pictures taken on his recent visit to Malaysia, where he has family, and was able to show us some ‘off the beaten track’ examples. Thanks again David, for all the time and effort that you put into the presentations which we all find inspiring and fun.
It was lovely to have our old friend, Helen Silcock, visit us for a workshop last Friday, demonstrating some techniques to use when drawing flowers with watercolour pencils. These were quite new ideas for some of us, and we all enjoyed practicing and making a start on our pieces. We all agreed that we’d gained some knowledge over the course of the morning, and that we’d look forward to taking it forward in the future.
If you’d like to find out more about Helen’s work, visit: http://helensilcock.wixsite.com/helensilcock-1
Here are a few examples of our ‘work in progress’. Coming on nicely don’t ya think!:
On Friday 20th July we were very fortunate to host a workshop with a difference by Stephen Coates entitled ‘Vision and Composition’, which we all very much enjoyed.
The first half was an illustrated talk dealing with the two aspects in his title. He certainly surprised most of us with examples of optical illusions which deceived our eyes in terms of dimensions and colour. Moving on to composition we looked at the work of famous artists and in particular Lowry. Stephen was able to illustrate some of the techniques that Lowry used to compose his paintings, with a particular focus on triangulation. Looking at Lowry’s paintings in future will never be the same again!
In the second half Stephen painted a watercolour which was used to illustrate some of the features addressed in the presentation. A beautiful landscape was produced in 50 minutes. Did we all know that a wet in wet sky needs to be completed in 2 minutes? How many of us use a very limited palate and number of brushes, and that the hake is excellent for large wet in wet areas (practice is needed but is well worth it)?
The completed painting was donated to the Art Group and we are raffling it with proceeds going to charity.
The completed painting: